Artsclub and Mother Earth at Behind This Wall in aid of MAH
Published on 2019-09-01 00:00:00 by Tom Bradley
With the mood surrounding London’s nightlife being one of despondency in recent years, it is events like these that renew our faith in the scene. Intimate, personal and with slamming selections to boot, the positive aspects of musical culture that so many thought were lost have finally shone through in a big way. With everyone coming together in support of Musicians Against Homelessness, a charity that raises money for homeless charities through music events, the night was an entirely positive affair.
Despite being slap bang on Hackney’s main high street, you would be forgiven for strolling right past ‘Behind This Wall’. The entrance is brilliantly unassuming: a single open door tucked away between two shops that leaves many questioning the accuracy of Google Maps. Diving down a steep set of stairs and into a warmly-lit basement, Sirkett, surrounded by some lovely potted plants, had already got things up and running. The venue’s intriguing nature, coupled with some inviting tunes emanating from underground, meant the dancefloor soon started to pack out. Filling the room with uplifting housy cuts riddled with synth licks, Sirkett brought about a party atmosphere that got the crowd moving. Funky and soulful with plenty of vibes, his smart selections perfectly set the tone for the night ahead.
In the midst of a mini-heatwave, these cosy settings were already hot enough, but the Mother Earth residents inevitably cranked it up a notch. Wasting no time, the duo came straight in with some heavier jazzy tracks that raised the energy of the basement. Colourful and rolling keys accompanied by sonorous sax hooks, epitomised by Swag’s Spiritual Mix of Blaze’s ‘My Beat’, kept the crowd moving regardless of the venues ever-rising temperature. Despite the essential trips upstairs for some fresh air, the dancefloor remained packed for the entirety of Mother Earth’s set. A fitting testament to a quality performance.
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Written by Tom Bradley
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